(IC4)

Fri tid

Detta program är 96 minuter och är en del av Internationella tävlingssektionen. Från 15 år.

Visas:
Tis 20/10 | 12:00 Reginateatern
Kortfilmfestivalen Play 19-25 oktober

Clean With Me (After Dark)

På YouTube visar hundratals kvinnor filmer av hur de städar sina hem.

France, 2019, 20, Direction: Gabrielle Stemmer, Production: Eliott Khayat.
After a master’s degree in literature, Gabrielle Stemmer followed the editing training at La Fémis. She decided to use her bizarre fascination with Clean With Me videos for her graduation film.

Cold Meridian

Om en ASMR-artists och hennes online-följares återkommande ritualer.

Hungary, United Kingdom, 2020, 6, Direction: Peter Strickland, Production: Dora Nedeczky.
Peter Strickland started making short films in the early ’90s. His first feature film was the Transylvanian tragedy, ’Katalin Varga’ followed by the Milano-Dorking sonic anguish of ’Berberian Sound Studio’ and the dominant / submissive romance, ’The Duke of Burgundy’. Several radio plays along with a concert film for Björk co-directed with Nick Fenton were made in the last few years along with a series of pop videos, all produced by Dora Nedeczky of Mindwax. His most recent film is the Thames Valley retail nightmare, ’In Fabric’.

Engagement Rate Formula

I filmen får vi följa Melis som föreslår masstillverkning av fysiska ”Gilla”-markeringar av gips. När det finns 500 stycken kontaktar han olika humanitära organisationer för möjliga samarbeten om att skicka dessa till flyktinglägret Moria, på ön Lesbos i Grekland.

Spain, 2019, 10, Direction: Adrian Melis, Production: Miguel Angel Sanchez.
Adrian Melis was born in 1985 in Havana, Cuba. He is based in Barcelona. Melis graduated from High Institute of Art in Havana in 2010. Currently, he is an artist-in-residence at the Royal Academy of Visual Arts in Amsterdam. Melis participated in a number of group shows and solo shows of the artist’s work took place in 2012-2013 in Spain and Switzerland. His work has become a part of contemporary art collections including at Barcelona Museum of Contemporary Art and Museum of Modern Art in Warsaw.

Ballast

En försummad pojke upptäcker hur en tillfällig impuls kan få ödesdigra konsekvenser.

Poland, Norway, 2020, 18, Direction: Daniel Howlid, Production: Daniel Howlid.
Daniel Howlid is a London-based director. He got his degree from the Polish National Film School and has made several short films and documentaries. He is a part of the Danish-Norwegian music video duo HochR.

Salsa

Under en eftermiddag på en dominikansk frisersalong i Buenos Aires återförenas personer med olika ursprung runt platsens musikaliska känsla. De är allt från dansare till artister, skådespelare, kunder och reggaetonsångare.

Portugal, Argentina, 2020, 13, Direction: Igor Dimitri, Production: Verónica Balduzzi, Joana Peralta, Igor Dimitri.
Igor Dimitri (b 1986, Portugal) is a PhD research candidate at University NOVA, Lisbon, Portugal and filmmaker. His short documentary The Closest Star to the Sun: PROXIMA won best short film in Porto/Post/Doc Cinema Novo Competition.

There Were Four of Us

I ett rum finns fyra människor.

United States, 2019, 6, Direction: Cassie Shao, Production: Cassie Shao.
Cassie is an Animation + Visual Artist currently based in Los Angeles. She is a graduate of School of the Art Institute of Chicago and School of Cinematic Arts at USC. She works across the field of independent films, music videos, projection mapping, and advertising as well as animated television series.

People on Sunday

Filmen är en nytolkning, svar på och hyllning till den tyska stumfilmen ”Menschen am Sonntag” från 1930. Här sätts berättelsen in i en annan kontext, ett annat land, en annan tid och andra förutsättningar. I den här versionen berättas episodiska historier om filmarbetare som jobbar med samma performativa konstprojekt om fritid.

Thailand, 2020, 20, Direction: Tulapop Saenjaroen, Production: Maenum Chagasik.
Tulapop Saenjaroen is an artist and filmmaker based in Bangkok. His recent works interrogate the correlations between image production and production of subjectivity as well as the paradoxes intertwining control and freedom in late capitalism.

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1982

Festivalen startades

300

Filmer per festival

70

Länder

50-50

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